Tuesday, February 15, 2011
Saturday, February 12, 2011
Home again
Monday, February 7, 2011
The Last Night in Oz
Saturday, February 5, 2011
Without whom this trip would not have been possible
Friday, February 4, 2011
Winding down
Wednesday, February 2, 2011
Safe
...Things here are surreal. I live overlooking the Torah prison with 10,000 inmates. Some prisoners overpowered the guards and took their weapons but they could not get out of the prison. Paratroopers with heavy calibre fire power were sent to support the guards and a pitched battle raged for several days. Abour 30 cons escaped. Four were caught at the vigilante barriers just below my apartment.
Tanks and armoured personnel carriers are on the steets. Looting and fire fights are commonplace. People are panic buying food. Banks are closed and ATMs are out of cash or vandalised so people are running out of money. We are breaking curfew to socialise and not let this thing get to us. So, two evenings this week I was playing music with friends and on a third, we played cards and drank a few glasses of wine.
I believe that we will have a lot more problems before things get better. Hope that all is well with you.
Peter.
Oh Oh
Anti-government protests in Tangier, Morocco, on 30 January
afrol News, 1 February - A growing number of Moroccan civil society groups are calling for large scale protest marches in the Kingdom. As the first protests are already being organised in Tangier and Rabat, the army is regrouping.© Anónimo/afrol News
Following the developments in Tunisia and Egypt, Moroccan youth groups have started organising the first protest marches in the country to demand political reform and greater human rights in Morocco.
The first mass protests have already been organised in Morocco. On Sunday, the group ATTAC Morocco staged a larger demonstration in the northern city of Tangiers, with protesters focusing on "the deterioration of social conditions and high basic food prices."
The Tangier protest however was brutally stopped by security forces, according to eyewitnesses. Batons and tear gas were used to disperse demonstrators who had gathered in the Square of Nations in central Tangier. Protesters had chanted slogans of solidarity with the people of Tunisia and Egypt, demanding a "right to employment, housing and a decent life."
But Moroccan protesters have not given up, despite the brutal response by security forces. Today, there are reports from the capital, Rabat, about demonstrations in front of the Egyptian Embassy, with hundreds of protesters chanting slogans in solidarity of their counterparts in Egypt.
Further protests are now being prepared by a magnitude of groups in Morocco.
A group of young Moroccans is currently spreading the protest call through the social network Facebook, calling for demonstrations on 27 February "in front of the prefectures and the wilayas in all regions and central authorities in cities and villages, to demand the freedom of political organisation, the alternation of power and human rights."
The so-called "Movement for Freedom and Democracy Now" in a statement specifies that this protest is "part of a spontaneous global transformation that aims at giving people their rightful place in society," further calling for democracy, freedom and the adherence to popular will.
According to the statement, there is a list of demands including "the abolition of the current constitution, dissolve parliament and government, parties who have contributed to the consolidation of political corruption and take immediate real action for a political transition."
The organisers further refer to "the terrible conditions of poverty, unemployment and human rights violations and restrictions on freedom of press" in Morocco. Morocco is known to be the poorest and least developed state in North Africa, facing enormous social problems.
Also other organisations are calling for protests. A grouping of the political opposition, trade unions, human rights organisations and an association of the unemployed has issued a statement calling for rallies and demonstrations to be held next Saturday, 5 February.
Also, the Labor Council of the Democratic Labour Confederation of Morocco has called for Sunday 6 February to be a day of protest. Marches are planned for in the south-eastern town of Ouarzazate "to protest the inhumane living conditions in Morocco."
As the calls for protests are widening in Morocco, the regime is increasingly insecure. King Mohammed VI has met with French government officials and his most trusted military leaders in his private chateau outside Paris to discuss the security situation.
Several unconfirmed reports from Morocco and occupied Western Sahara agree that security forces now are being pulled out from the occupied territory to be deployed in Morocco-proper in preparation of a possible popular revolt.
The reported regrouping of Moroccan troops may leave Western Sahara - a territory whose indigenous Saharawi population is always ready to revolt - open to rebellion. Security forces stationed in Western Sahara are famed for great brutality against civilians, which could bode unwell for protesters trying to organise marches in Morocco.
By staff writers
© afrol News
Tuesday, February 1, 2011
The Dades Valley
This valley, after Tinehir, is famous for roses.
The Dades Valley in Morocco is also known as the Valley of the Roses, as it is here where the fragrant rose oil and rose water is produced for the country, and the landscapes are a sea of pink Persian roses. Their beauty and subtle aromas fill the air, and to farmers in the area, harvesting the petals of these delicate, yet perfect, crops is done with love and not seen as hard labor. To celebrate the wealth and success of the harvest, the Dades Valley hosts the annual Rose Festival.
El Kelaa M’Gouna is the only settlement in the area, and is home to the two massive rose water factories of the region. Rose water is quite an expensive commodity in Morocco and is used not only for its fragrance but in traditional cooking as well. The reason for its price tag is because of the fact that the four thousand two hundred kilometers of rose hedges can only produce one thousand four hundred liters of the product. The process uses approximately three thousand kilograms of rose petals to extract a liter of rose oil. Visitors to the festival will therefore see tons of rose petals being transported to the factories to extract the precious oils, leaving a trail of rose scent lingering in the air.
Transportation
We stopped in Tinehir for lunch and I took the opportunity to get some photos. These are typical of everywhere in Morocco except Ouarzazate. Oz is different in so many ways from the rest of Morocco. It is modern, extremely clean, well laid out, lots of living greens, and I have never seen a donkey here. It is, however, not representative of Morocco and one would be remiss if Oz was all he saw much the same as if Marrakech was all or Agadir or...
On the way home
Back in our little red Honda rental car, on our way home, we passed a young herder and took this photo of his camels.
Gnawa
Gnawa music
This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2008) |
Gnawa music is a mixture of sub-Saharan African, Berber, and Arabic religious songs and rhythms. It combines music and acrobatic dancing. The music is both a prayer and a celebration of life. Though many of the influences that formed this music can be traced to sub-Saharan Africa, and specifically, the Western Sahel, its practice is concentrated in north Africa, mainly Morocco. (See Gnawa for more details)
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[edit]Music
In a Gnawa song, one phrase or a few lines are repeated over and over throughout a particular song though the song may last a long time. In fact, a song may last several hours non-stop. The norm, though, is that what seems to the unintiniated to be one long song is actually a series of chants, which has to do with describing the various spirits (in Arabic mlouk (sing. melk)), so what seems to be a 20 minute piece may be a whole series of pieces, a suite for Sidi Moussa, Sidi Hamou, Sidi Mimoun or the others. But because they are suited for adepts in a state of trance, they go on and on, and have the effect, that they provoke trance from different angles.
The melodic language of the stringed instrument is closely related to their vocal music and to their speech patterns, as is the case in much African music. It is a language that emphasizes on the tonic and fifth, with quavering pitch-play, especially pitch-flattening, around the third, the fifth, and sometimes the seventh. This is the language of the blues.
Gnawa music is characterized by instrumentation. The large heavy iron castanets known as qraqab (or krakebs large iron castanets; Ar. قراقب) and a three -string lute known commonly as a hajhuj (or gimbri) are central to Gnawa music.(Schuyler, 2008) The rhythms of the Gnawa, like their instrumentations are distinctive. Particularly Gnawa is characterized by interplay between triple and duple meters. The “big bass drums” mentioned by Schuyler are not typically featured in a more traditional setting. (Schaefer, 2005)
Gnawa have venerable stringed-instrument traditions involving both bowed lutes like the gogo and plucked lutes like the gimbri (Ar. چنبري; also called hajhuj, Ar. هجهوج or "sentir" Ar. سنتير), a three-stringed bass instrument. The Gnawa also use large drums called tbel (Ar. طبل ) in their ritual music. The Gnawa hajhuj has strong historical and musical links to West African lutes like the Hausa halam, a direct ancestor of the banjo.
Gnawa hajhuj players use a technique which 19th century American minstrel banjo instruction manuals identify as "brushless drop-thumb frailing". The "brushless" part means the fingers do not brush several strings at once to make chords. Instead, the thumb drops repeatedly in a hypnotically rhythmic pattern against the freely-vibrating bass string producing a throbbing drone, while the first two or three fingers of the same (right) hand pick out, often percussive patterns in a drum-like, almost telegraphic manner.
[edit]Rituals
Gnawas perform a complex liturgy, called lila or derdeba. The ceremony recreates the first sacrifice and the genesis of the universe by the evocation of the seven main manifestations of the divine demiurgic activity. It calls the seven saints and supernatural entities (mluk, Arabic: ملوك) represented by seven colors, as a prismatic decomposition of the original light/energy. The derdeba is jointly animated by a maâlem (master musician) at the head of his troop and by moqadma or shuwafa(clairvoyante) who is in charge of the accessories and clothing necessary to the ritual.
During the ceremony, the clairvoyante determines the accessories and clothing as it becomes ritually necessary. Meanwhile, the maâlem, using the guembri and by burning incense, calls the saints and the supernatural entities to present themselves in order to take possession of the followers, who devote themselves to ecstatic dancing.
Inside the brotherhood, each group (zriba; Arabic: زريبة) gets together with an initiatory moqadma (Arabic: مقدمة), the priestess that leads the ecstatic dance called thejedba (Arabic: جذبة), and with the maâlem, who is accompanied by several players of krakebs.
Preceded by an animal sacrifice that assures the presence of the spirits, the all-night ritual begins with an opening that consecrates the space, the aâda ("habit" or traditional norm; Arabic: عادة), during which the musicians perform a swirling acrobatic dance, playing the krakebs.
The mluk (sing. melk) are abstract entities that gather a number of similar jinn (genie spirits). The participants enter a trance state (jedba) in which they may perform spectacular dances. By means of these dances, participants negotiate their relationships with the mluk either placating them if they have been offended or strengthening an existing relationship. The mluk are evoked by seven musical patterns, seven melodic and rhythmic cells, who set up the seven suites that form the repertoire of dance and music of the Gnawa ritual. During these seven suites, seven different types of incense are burned and the dancers are covered by veils of seven different colours.
Each one of the seven families of mluk is populated by many "characters" identifiable by the music and by the footsteps of the dance. Each melk is accompanied by its specific colour, incense, rhythm and dance. These entities, treated like "presences" (called hadra, Arabic: حضرة) that the consciousness meets in ecstatic space and time, are related to mental complexes, human characters, and behaviors. The aim of the ritual is to reintegrate and to balance the main powers of the human body, made by the same energy that supports the perceptible phenomena and divine creative activity.
Later, the guembri opens the treq ("path," Arabic: طريق), the strictly encoded sequence of the ritual repertoire of music, dances, colors and incenses, that guide in the ecstatic trip across the realms of the seven mluk, until the renaissance in the common world, at the first lights of dawn.
Almost all Moroccan brotherhoods, such as the Issawa or the Hamadsha, relate their spiritual authority to a saint. The ceremonies begin by reciting that saint's written works or spiritual prescriptions (hizb, Arabic: حزب) in Arabic. In this way, they assert their role as the spiritual descendants of the founder, giving themselves the authority to perform the ritual. Gnawa, whose ancestors were neither literate nor native speakers of Arabic, begin the lila by bringing back, through song and dance their origins, the experiences of their slave ancestors, and ultimately redemption.
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Farewell
We bid farewell to the young men who work at the camp cooking, cleaning, and looking after the guests and got in the 4x4 with Ali for another fun filled ride back to the auberge.
Early in the morning
I was the first one awake and took a few shots of our camp. The one with the yellow "door" open is my room. I tried to take a picture inside, but it was just too dark. The nomad tents are dark brown and keep all light out which is great in the summer heat. Beds were mattresses on the floor. The sand was covered with richly coloured berber rugs. There were as many blankets as needed. I only used what was on the bed, but Houssaine told me he used four more!!!!! Some Berber, eh?
Inside and let the drumming begin
The fire, now only hot coals, has been moved inside. Here are a few photos. The dark one is without a flash and as it was in reality.
Getting the fire started
The Moroccan Algerian border
I forgot to tell you that while on our 4x4 ride, we got close to the border. This border has been closed since 1994. In this photo we are about 20km from Algeria. I was told that what I see in the distance is a natural rock wall which divides the two countries in this area.
A stroll
The fun begins
Wow, wow, and more wow!
Fennec Fox
As we drive alongside the dunes for about 1 km we come across two little girls each holding up a little animal and waving for us to stop. We did and found they had two Fennec fox (desert fox). This is the smallest species of fox and are native to the Sahara Desert in Africa. The average adult weighs less than five pounds.
Our 4x4
The ships of the desert - camels and more camels
It does rain in the desert!
I didn't get to spend Christmas day on the dunes at Erg Chigaga, but now I am going to the much bigger dunes at Erg Chebbi. I was there in 2001 and it was an awesome experience. My excitement was mounting.